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Thus, after his three years or so as a pupil of the history painter Jacob van Swanenburgh (1571–1638) in Leiden, in 1624 Rembrandt (1606–1669) went to study with Pieter Lastman (1583–1633), also a history painter, in Amsterdam for about six months, before returning to Leiden to practice painting as an independent master.Govert Flinck (1615–1660), who joined Rembrandt's studio in about 1633, while he was still using studio space in Hendrick Uylenburgh's premises, who was also a journeyman or assistant, rather than a pupil.Each of the four sections of the glossary can be accessed from the menu top of each page of the glossary entries.

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The term shows up Voltaire's A journeyman is a skilled worker who has successfully completed an official apprenticeship qualification in a building trade or craft.

He is considered competent and authorized to work in that field as a fully qualified employee.

After submitting a masterpiece, a journeymen could be accepted as a master himself, open his own studio, and take on students.

Many, however, continued to work in the shops of other artists.

Marten Jan Bok and Gary Schwartz have contended that even in the mid-seventeenth century more than half of Dutch paintings could have been commissioned, and were mainly carried out by assistants, journeymen and copyists, whose works were sold at the lower end of the market through art dealers.

, (obsolete Dutch: perceptibility) is a term used to describe pictorial space as perceived in relation to the surface qualities of a painting.As far back as ancient Greece it was believed that light tones tend to advance towards the viewer while darker tones tend to recede toward the background.However, Rembrandt's pupil Samuel van Hoogstraten (1627–1678) explained that the texture of the paint on the canvas could help strengthen or weaken the illusion of three-dimensionality.The fact that some of his work was signed "painted by myself" ( may indicate that like other artists he differentiated between his own work and that produced by his studio, a difference that would have been reflected in the price By definition, a journeyman was an artist who may have been employed by a mastercraftsman but could charge a fee for each day's work.A journeyman could not employ others but could live apart from the master, unlike an apprentice who usually lived with the master and was employed for a period of several years.The practice of employing journeymen in the bigger studios led to a large-scale division of labor and to art being mass produced.

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